1 5 mins 4 weeks

By Advokate IWhen I first picked up a microphone, I never imagined that one day I would perform beyond Zimbabwe’s borders, let alone on an international stage in front of thousands of people. But this year, that dream became reality.

Being selected to perform at the UMP (Urban Music People) Festival in Cape Maclear, Malawi, marked a milestone in my career. The week-long celebration of African music, fashion, film, and arts is not just another event, it’s a movement that uplifts creativity across the continent.

From the moment I arrived in Blantyre, everything was handled professionally. The UMP team made sure I was picked up and taken to the venue, where I was warmly welcomed and comfortably accommodated. The next day, I spent time exploring the festival grounds, checking out the stalls, networking with other creatives, meeting the locals, and learning how festival culture thrives in Malawi.

There was something deeply inspiring about being at Lake Malawi, watching people from different countries enjoying themselves, from boat rides to fishing trips. What stood out most for me was the empowerment of the local community. The people around Lake Malawi are actively involved in the festival. They fish and sell their catch to tourists, run art stalls, and showcase their crafts with pride. It’s a perfect example of how culture and tourism can work hand in hand to uplift communities.

When night fell, the performances began, and I was blown away. The energy was electric, and the vibe was pure African unity. I chose to spend most of my time backstage rather than in the VIP section. That decision exposed me to so much, new connections, creative collaborations, and valuable lessons about stagecraft and performance.

Sunday came, and it was my turn to perform. I rested during the day, then returned to the venue for my sound check with Chitoliro Band, one of Malawi’s finest. It was my first time performing with a live band, my first time in Malawi, my first UMP Festival, and my first time on such a big international stage. You can imagine the mix of nerves and excitement running through me.

When I finally stepped onto that stage, something powerful happened. I wasn’t just performing, I was representing Zimbabwe, representing Dzimba Dzemabwe, and every dreamer from the ghetto who believes that greatness can come from humble beginnings.

That night, I carried the hopes of every young artist who thinks their background defines their future. I am proof that if you believe in yourself, stay humble, focused, and committed, you can become whoever you want to be, and go wherever you dream to go.

I want to extend my heartfelt gratitude to Aisha, the UMP Festival CEO, and Loveness, the artists’ liaison manager, for their incredible hospitality. And to everyone who played a part in making my trip successful, thank you. The list is too long, but your support means everything.

Performing at the UMP Festival wasn’t just a highlight of my career, it was a life-changing experience that reminded me why I started making music in the first place: to tell our stories, inspire our people, and represent Africa on the world stage.

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